Natural imperfections in the wood make each table one-of-a-kind. The best way to describe Four Hand's design process is relentless. We tinker. |
Reclaimed peroba wood is supported by a textural faux shagreen base in soft grey. The best way to describe Four Hand's design process is relentless. We tinker. |
The smooth, rectangular glass top is placed on a base of two stone blocks each with one end of which is left unfinished for a raw, textural look. Features Intrinsic beauty of marble |
The best way to describe our design process is relentless. We tinker. We experiment. |
Gently rounded edges gives it a smooth finish, with a shelf that is perfect for storing books and newspapers. Its design follows that of the original Hardy Chair, a chair that drew |
Each piece has generous proportions, solid materiality and is softened with a gently radius edge. The Slab family is made from solid oak, sourced from sustainably managed forests. The |
Its expressive sweeping curves allows designers to specify Wingback in the center of spaces as a sculptural intervention rather than merely a piece of seating. The wings provide convenient |
Made from solid oak, the traditional inkwell is transformed into a cable management hole, and a groove for pens and accessories. Tom Dixon is a restless innovator who works mainly in |
A halogen bulb is suspended within the centre of Etch Web to make it the ultimate shadow play pendant. Black fabric cable for brass. Black white striped fabric cable for steel. |
Made from solid brass sheets that are hand-spun, welded and polished to a mirror finish. Tom Dixon is a restless innovator who works mainly in lighting, accessories and furniture. From |
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